*darling arithmetic* ist nach *becoming a jackal* und *{awayland}* das inzwischen dritte album von conor obrien und es ist nichts weniger als eine kleine Überraschung, hatte der ire doch noch im letzten frühjahr eine sehr viel elektronischere ausrichtung für das kommende album angekündigt. doch *darling arithmetic* ist das bislang vielleicht intimste album von villagers, und man muss es wohl als eine logische konsequenz verstehen, dass conor obrien dafür einen anderen weg eingeschlagen hat. geschrieben, aufgenommen und produziert wurde das album im alleingang in seinem haus nördlich von dublin. die instrumentierung ist spärlich, klavier, gitarre und mellotron sind zu hören. die lyrics kreisen um das große, vielleicht das einzige thema der menschheit: die liebe - zu sich selbst und zu all den anderen.
schwarzes 180g vinyl mit 4-seitigen booklet und downloadkarte.

limited repress
ngly as you like it...... be quick!

limited 10 x 12 inch box set on yellow vinyl. dont call it a sequel, its just a next step! the sound of belgium digs deeper in our countrys rich soil for fierce beats, endless grooves and sonic ecstasy. the movie, the music, the book: history in the making.

another famous producer transferred himself to a dystopian character to define his impression of electronic music. science-fiction sounds meets eclipses and melancholic souls, all under the umbrella of isaac asimovs ideas and visions. 2015 has landed.

floor shaking & uplifting ukg related tough house & breakbeat techno hybridz.

we have the pleasure to include in our catalogue a grooveless track by the outstanding house head, da sunlounge. one of the most prolific uk s house artist of the last 15 years having release music in labels like detour, 2020vision, tango or double down.

where -oh year- takes you more to the funky side, -dayrun- is a more techno influenced trip to the dephts of the night. with the hypnotic synths and wobbly bassline it invites you to loose yourself in the dance. on the other side, the detroitesque strings, that glimpse up during the break and the pushing hihats, it leaves you with a smile and your hands in the air. to complete this fabulous ep, markus throws in some percussion and extra deep basslines on -pingel pangel snop-. a track that is filled up with funk & soul, designed to be nothing but a house track with a twinkle in one s eye. a true groove monster.

gynoid audio maintains it s ltd series with a new split ep containing much character, coarse-grained attitude, thrilling sequences and delightful soul. on one side we have the follow up of the -procurators- by mattias fridell, exquisitely paired with a mechanically grooving remix by tomohiko sagae. turning the plate reveals the minimalistic and focused purist techno cut by future 16, the -filaments pt4-. who else would be better suited to put a soulful and zealous twist on the latter than zadig obviously no one. hopefully you ll enjoy this package of music as much as we did assembling it!

re-issue of a classic disco album from 1979.

strictly rhythm continues its revitalised run of release with i love you from newcomer obas nenor, with remixes coming from andres and luke solomon. i love you intoxicates from its very first beat, an idiosyncratic house cut that wears its disco and soul influences very much on its sleeve. driven by poignant strings and a heartfelt vocal, it breathes nostalgic life into any room in which it is played. the andres remix beefs up the bottom end, with cosmic synths and a wandering bassline transforming the cut from poignant to powerful. solomons body edit further takes the track into dancefloor territory, with sharp percussion and an urgent groove making the track fully suitable for peaktime club play

our moscow b-boy, vinyl freak and outstanding dj lay-far is back with his second ep of secret weapons on basic fingers. secret weapons vol.2 has something for everyone, covering a vast variation of styles ranging from disco (groove), soul-fusion (bolinas), jazz-funk (bouncy lady) and dub (south african crossfire). all very tasty and dj friendly but most important they re all touched by the magic fingers from lay-far.

earth motherns ninth release is signed by js & andee aka rks. the label owners offer their vision of techno and house music made of machines, synths and samplers live sequenced.

only one listen to the crystal clear rapture in the sound of bodhi shows the funk influenced take on dance music this young duo have to offer. olly howells and luke welsby started producing together 2 years ago but ever since they kept on capturing the right attention. therefore it is no surprise that exploited picked them up to release three uplifting, warm and modern dance tracks.

hot on the heels of introducing a new chilean talent to the mos ranks with its last release, the dutch label starts another international affair for its mos deep offshoot: romanian andrew red hand. andrew, who has been called the romanian underground resistance, has a long history of djing and making detroit inspired techno and electro and across four tracks here, his analogue house with crisp drums and searing acid all burst out of the speakers and into your affections.

relative newcomer to the scene, caserta delivers the goods on his first-ever artist ep release. spanning a wide range of styles from thumping sample-laden hip-hop grooves, to chill nu disco, to bumping old-school house, this one has a little something for everyone. cleverly knitted together with interludes and outros, the dynamic ep is both utility knife in the dj bag, and a beautifully varied listener experience. early support from soul clap, moon boots, kon, roberto rodriguez, justin jay (dirtybird), dirtytwo, craig smith (6th borough project), nathan g

after the frenzy heat of miami, quantize keeps the fire coming with this release. neil pierce scorches the spring with a soulful groover that sizzles in lyrics & production. neil is on fire and on this release he teams with mike patos to re-introduce/re-produce a classic from mtume. seldom do you hear live bass (john turner) on dance records, and you will appreciate the authentic musical production in this. when you add in vanessa freemans effortless performance on this with vocals that demonstrate that she is the perfect vocalist to re-sing a classic, you are ready she sings of desire and of love with soulful class and delivery.

audiojack had a great 2014 with a collaborative release alongside lcd soundsystems nancy whang, eps on defected, 2020vision and tsuba, and remixes of romanthony and hot since 82 surfacing, here we see the ever on-point duo open up 2015 with some fresh material for their very own gruuv label. since launching gruuv back in 2010 the pair have unleashed material from the likes of huxley, jimmy edgar, darius syrossian, copy paste soul, a1 bassline and phil weeks, testament to their broadly attentive a&r approach with the imprint. now a year deep into their relocation to ibiza, audiojack have left behind their former uk influenced sound palette, and instead embraced their surroundings to envelop new material with the stripped back style of electronic music their new home turf is known for.

*la ronde* is one of the seminal japanese house releases, originally released in 1991 on king street offshoot bpm records it has long been a highly sought after slab of wax among deep house & dance music aficionados around the world. confined to one single disc on its original release this luxurious 2015 re-issue lets all the music contained within breathe the way it was naturally intended across 2 re-mastered 12 inches, making it utterly indispensable for all you djs & fanatics out there clamoring for all these classic tracks from far eastern heavyweights like toshihiko mori, soichi terada and many many more (nycs legendary pal joey even makes a guest appearance!). this is gorgeous, ambient, deep house at its finest, full of melody, soul & vibe, totally essential & finally available in this format for the very first time. fully re-mastered, re-pressed and re-released in full conjunction with king street sounds / bpm records, nyc / japan.

impossibly rare sweet soul & funk from the vaults of miami s bold records (a subsidiary of the mighty t.k. disco label). there s scant information on reid inc as a group but the album boasts some gorgeous soulful melodies from the all female personnel and features stellar string & horn arrangements from miami studio stalwart mike lewis (blowfly, kc & the sunshine band, latimore, fern kinney) & is produced by the mighty clarence reid who has written, recorded & produced too many records to list here (betty wright, wilson pickett, dusty springfield, bobby byrd, gwen mccrae) throughout his 50+ year career. this is a real rarity, a record that fetches top, top dollar ($500 plus) on-line among soul, funk & disco aficionados. -what am i gonna do- has been comped numerous times but this is the first time the whole lp has been re-mastered & re-issued on vinyl (having previously only been re-released on cd in japan) brought to you in conjunction & with the permission of t.k. disco / henry stone music, miami usa.

after two stunning 12 inch eps for kai alcés ndatl muziq imprint and london-based the love below, atlantas rising wunderkind stefan ringer dons new alias black suede for his debut release with cgi. switching it up from the bouncier, jazzier style that characterizes ringers work under his given name, black suede strips down the soul to a darker, harder groove, weaving dancefloor narratives that confront our innermost desires and fears. from the heavily swung stomp and vocal chops of *connect like 2 ways* and the skittering arpeggios and percolations of *stimulus (dead)*, to the dystopian booty-house masterpiece that is *7713gh* and the droning and cavernous dirge of *purgatory*, it is clear this is the work of an immensely talented artist who will continue to defy categorization and keep us wondering what the future will bring.

we are deeply proud of all our music here at hizou. our latest release, however, we believe is just that little bit special. because we welcome to the label a producer we much admire and also proudly call our friend, w & p hgg aka hugo giner, owner of the formidable cornuta sound imprint. and his ep, down for heaven, is notable also for marking the debut of a new partnership, the sons of empire, otherwise known as those two masters of the deep, ernie from minuendo recordings and dubbyman of deep explorer. it is giner’s unique soul, however, that takes centre stage with side one devoted entirely to its 13 minutes of glorious, irresistible and uplifting house odyssey. on the reverse comes welcome, a chunkier though equally hypnotic slab of sly deepness, ably supported by the sons of empire remix which takes the track to a more chilled and, dare we say, funkier celestial plane.

mojuba sub label a.r.t.less welcomes the munich techno duo trap10! after introducing and reintroducing prolific artists like stephen brown, jp enfant and fanon flowers its time for another addition to the a.r.t.less label roster! trap10 deliver three very convincing tracks for their debut ep showcasing the cornerstones of their sound. from straight peak-time action on the a-side to head-nodding & feet stomping funk infused techno with soul on the flip, dress to sweat!

supported by ben klock, dvs1, marcel fengler, minilogue, joel mull, claude young, roman lindau, dustin zahn, speedy j, paul mac, alan fitzpatrick, laurent garnier and many more. we are very proud to present ray kajioka’s debut album “en route”. most of the album was premiered in rays live-set during our 20 years of kanzleramt celebration at berghain. others have been shaped and tested over 10 years to find the right frame to release on an album. our mastering engineer, who is recovering from surgery, said >the album is very therapeutic< and >the work on rays album helped me heal<. this is proof to us, that rays magic on >en route< can uplift your soul, especially in spring.

apartment returns with a release exploring 3 facets of house music all inter-connected by the vocals of uk soul & rnb singer, greg blackman (bbe music). steve leggets (four hands, claremont 56) original believe mix, the catalyst for the project, is an expansive 10 minute-plus journey through wistful dub lead by blackmans soaring vocals. on the flip mark hand (signals from the north) delivers a re-working, sculpting a beautiful, sun-kissed masterpiece featuring drums and percussion by darren moore alongside hands inspired playing on the rhodes and moog. to close out the release ncw finally makes a return to apt and subsequently gets lost in the dmz pitching and twisting blackmans vocals over a pulsating, bumping house banger.

-light up- gives the name to this ep, the track builds around a funky bassline but gets deep and intense with dominating synth work leading to huge breakdowns while always keeping the swing. -street knowledge- jacks things up a bit more with a more agress

the first musical scale on apiafo leans towards raw funk with a sound similar to the famous 70s bands, l orchestre poly rythmo de cotonou and el rego. funk, is the skeletal structure of this record, and provided the opportunity for peter to invite his uncle, roger damawuzan - the famous pioneer of the 70s soul scene – on two tracks. their collaboration on *pas contente* is a highlight on this 100% analog album. apiafo was entirely recorded, mixed and mastered with old tapes and vintage instruments.

the groove brothers, aka jef k and rhythm&soul, keep things moving with the second release on their fledgling label, on a mission records. it’s been seven months since the label’s debut, demonstrating the duo’s considered approach to their outlet, which has been set up to capture the true spirit of house music, basing its ideals on some of the industry’s most respected labels and keeping that timeless, classic ethos alive. this second release unites the label owners with a couple of newcomers to the scene. retaining the sultry outlook of the first release the groove brothers inject jazzy notes and smooth funky rhythms into their music, while mr ks and kub follow in a similar vein with their well-crafted contributions. ks expanding on the jazz theme, while kub takes a more sensual pathway. (words by marcus barnes)

one of the most amazing afro funk album ever! rare funk & avant- garde soul from a seven years old kid singer featuring best of french and cameroonian musicians, recorded in paris in 1977. the album contains two nicely dramatic tracks.

though moving vision is the fourth ep the japanese producer-and-dj has released on yore, it arrives more than four years after the appearance of tokyo connection and five after city soul and butterfly - even more his return to yore keeps bursting with fresh energy.

hip-hop, jazz, verrauchter soul und groovender detroit-house: debütalbum des dänischen djs und produzenten.

yet another solid soul/funk/disco nugget lifted from the vaults of miami s cat records (another t.k. disco subsidiary).
often sampled, re-edited & re-jigged but never bettered! gwen mccrae s all time classic * all this love im giving* finally sees a timely repress, just as god intended, on a dinked 45 with all original artwork intact! thats right, you may recognize this number from cassius 1999 hit * feelin for you* but this track has long been a staple of rare groove dances & sophisticated soul parties with discerning djs & selectors clamoring for the original 45 at any cost.
backed here with its original b-side slow jam * maybe ill find somebody new* this rare 45 has been re-mastered, re-pressed & brought back for 2015s dance-floors in conjunction & with the permission of t.k. disco / henry stone music, miami usa.

surprisingly, it s been some four years since croat producer ilija rudman dropped his much-played debut album, the reveal, on bear funk. happily, true colours - his first outing on is it balearic - sees him in fine form, joining the dots between kaleidoscopic synth-funk, rubbery dub-disco, spaced-out boogie and glassy-eyed downtempo jams

repress - erstmalig auf vinyl erscheint die offizielle dubversion zum kultalbum -rasta communication-. die 10 tracks des 1978er originalalbums wurden in jamaika in randy s sowie im channel one studio und in london (chalk fram studio) mit sly & robbie und musikern des soul syndicate aufgenommen. am mischpult saßen dabei clive chin, lloyd mckenzie und sid bucknor, der finale mix wurde von prince jammy in king tubbys studio ausgeführt. die arbeiten des sängers und produzenten keith hudson, auch bekannt als the dark prince of reggae (geboren 1946 in kingston, jamaika - r.i.p. 14.11. 1984 in new york), hatten einen großen einfluss auf die entwicklung des dub.

for skylax 140, damien zala, of rowtag records fame, brings the heat with a new 6 track ep. it kicks off with an absolutely mad remix of * looking for the sun* by detroit legend, anthony shake shakir. the attention to detail is clear when it comes to someone who has been in the game for so long, and the rework he has done for damiens track is no exception. * the final break* is damiens first original on the record. a skippy, staccato affair in both its percussion and its disco/funk/soul sampling. *beauty is back* is damien taking things down a jazzier route, with a piano laden jazz sample and shuffling drums to match.on the flip, * always young* is an audacious disco edit, sampling such a treasured song that many would consider untouchable, luckily, damien works his magic to make an edit which gets people moving without being obvious. the ep closes out with * emotions* and the original version of * looking for the sun*, barely recognisable from the anthony shakir remix, in the best possible way! sweet & dirty indeed, dont miss this offering by the one and only damien zala.

our next big release at bad barbie, going out on digital and 12 inch, comes by the hand of aldo cadiz itself, but this time partnered with kareem cali. these two made a fantastic three track ep called monita ep. the first track monita presents a solid base created with a classic tech style and an extremely groovy bass line. full of small arrangements and a crazy vocal line, this tracks its perfect for any club dj. the second track bonita, is the one with the more old school vibe, from the bass line to the main acid synth, which goes evolving softly with a filter during the track to generate the needed tension. all this with a strong tech groove to follow the step of this solid ambience created by the acid synths. the last track moni, also has many techno and acid elements presents. we can perceive the techno soul mainly on the arrangement of the hi-hats and bass line, but the acid synth in triplet at the backend is what generates the crazy vibe and almost hypnotic feeling during the track, playing around with the volume of it. definitely a fantastic release to add to any collection.

*the path of mastery* is a collaboration album by french producer kyo itachi and veteran emcee john robinson (lil sci). originally released in 2013 via digital download & cd format, we are now very happy to announce that we have joined forces with shinigamie records in order to give this incredible album, a well-deserved vinyl release (limited to 500 copies). the album consists of 12 tracks, with features including skanks (of bankai fam), contro versy, eloh kush (of angelz inc), dj djaz and many more.

convertion / let s do it was originally released on sam records in 1980. it featured the lead vocals of leroy burgess, who was also the lead vocalist for seminal disco tunes like black ivory / main line and logg / i know you will. the sam records catalogue is currently administered by nervous records. nervous has a long standing relationship with superstar producer louie vega, who with his maw partner kenny dope has produced some of nervous most memorable tunes, including the signature nervous release -the nervous track- by nuyorican soul. louie as always a fan of let s do it and wanted to do a remix. unfortunately the original parts were lost. not to be deterred, louie decided to reproduce the record, once again with lead vocals by leroy burgess. the result....let s do it - a louie vega interpration. b-side boogie mix stays close to the original version. the a side dance ritual mix includes that magic louie vega flavor that will make it an immediate essential item for all dj s. the 12- release will be available two months prior to the digital release

after the huge success of the inaugural release, park & ride records is back with a new ep, >san francisco< which show the strong personality and the particular sound of the people involved, zendid / sonodab / baraso (powered by balance artists).

nach seiner *champagne sounds* ep von 2013 arbeitet der brooklyner produzent sam obey auf seiner neuen 6-track-ep *merlot sounds* mit zahlreichen jungen vokalisten des modernen rap & soul - von kelela über 1oak bis eric arc elliot (flatbush zombies) und dem newcomer anthony flammia. mit diesen frischen kollabos erweist sich sam obey parallel als exzellenter songwriter und multiinstrumentalist in der tradition der soulquarians, quincy jones, joe zawinul oder der neptunes. geniale produzenten, die für ihre kollabos eigene universen erzeugen, um in ihnen zu arbeiten. exzellente ep mit echten songs moderner, progressiver, elektronischer r&b-clubmusik.

the headless horseman has been suffering from severe dementia and is looking for sanctuary. after the grueling massacre that occurred on battle hill, he has set course back to his safe haven. this position that he refers to as the bridge of dismay is the only location where he can further reflect and collect the shattered pieces of his black soul before he rides again.

next up on editorial limited wax 12 we have the deep end 5 top quality mid-tempo deep-house groovers to get it done right! featuring newcomers to editorial: mossa and buzz compass, and returning contributors in sunner soul, stephane deschezeaux and loz goddard.

arturo garces, our brother from the west coast, returns to robsoul with his looking for strangers ep. loved by the robsoul community for his beats from the streets series, the san jose resident first appeared on the label back in 2012 with a trio of tracks that made up vol.1. two more collections followed and firmly established arturo as one of the labels most exciting talents. a label boss himself, arturo is seen as having helped define what is known as the silicon valley sound. his own blend of beat-laden house infused with elements of soul, funk and disco has seen him become a favourite with the likes of sneak, farina and weeks.
looking for strangers opens with the latin guitar licks of the title track before we are treated to the deeper jackin vibes and delicious chords of bassment beat. the vicious kick drum of no fool leads us on the flip, with its awesome stabs of soul. in motion featuring the subtle and sultry vocals of silencia closes the ep with its twisted filters and bass-heavy beats.

limited 2015 repress 2015 on transparent, smokey marbled vinyl! next strong limited vinyl of this mysterious label inclusive moodymann rmx

freedom school is well known for releasing album by ig culture, kaidi tatham and mark de clive lowes conceptual albums. this label connects the big history of black rooted music and future science of beats and groove. and now they have decided release of 2nd vinyl ep series freedom school presents dj series vol.2 by uks well known black rooted producer eric lau under the name of the commissioner. the commissioner is underground dance music project by uk producer eric lau who well known as album one of many that featured georgia anne muldrow, oddisee. and he delivers a new phase of hip hop & soul after dilla infulenced beats movement. air jupiteris black atmospheric beatodwn sounds that feeling some influenced by dillas *welcome to detroit*. they sings to me is fantastic mello jazzy mood dance track! this must be big stuff for 2014.

la/detroit two-steppers newbody (aka roberto ramone and jonathan roshad) keep the faith on their latest single. *emotional* and the flip *wut u do* share the duos brisk vocal house signature: cooled garage energy, uptown piano, bass calisthenics, satin shirt soul. the remixes flex different tendons of the tracks: emotion ii emotion pumps it to jack city, piano stabs and discotheque horns over a lush, lewd bounce, while cromie & sage caswell go more stereoscopic, dizzying the song into an abstract sunrise awakening. also includes a radio edit of “emotional,” to bait the top 40 djs on the fence. mastered by mark pistel. center label design by trevor tarczynski.

nice price deal !!! marking the first output of cymasonic s offshot vinyl-only label and collabaration with subwax distribution, the balder ep is a two-hundred copy, hand stamped entry into the world of cymawax. there s no better way to start than with four quality tracks of hot and crunchy norwegian techno with soul by trulz & robin, under their new moniker for otherworldly machine sounds: ksmisk. the duo from oslo have been a force in norway s electronic music scene for over two decades, but their current project is set to bend and exceed all expectations. the title track makes full use of spacial effects to create the kind of landscape deserving of the cavernous exchange of industrial rooms or the breathing walls of smaller sweatboxes. its energetic arpeggiation carries the driving, raw bass line home. less linear and more neurotic, -jonson- squelches its way into existence. next, -water- is as fluid as the name suggests, using deep, delayed dub chords to sustain listeners during its eight minute life. finally, the release ends on -tehjerk- which is full of electricity, heavily charged with distortion and powerful drums before opening up into a euphoric waterfall of melodies. it s fitting that this chronicle should end up pressed onto wax, a monument to the physical launch of cymawax and trulz & robin presenting ksmisk.

emotional rescue is proud to reissue one of germany s best - if most underrated - bands. as the krautrock explosion of the 1970s came to an end, a new collective was formed from the embers of the 1970s explosion of experimention and openness.

milton wrights perfect deep soul classic *keep it up* has always been a top shelf record, everything about it is almost flawless! whether it is miltons silky vocal delivery, the incessant guitar driven back beat or the total space funk vibe of his omnipresent arp-2600 synthesizer this record has it all. originally released on tk discos more soul and funk orientated alston label which was home to many legendary artists and records, this 1975 sunshine classic never fails to make people move. a classic rare groove indeed. *the silence that you keep* takes up side-b, a jazzy, flute driven love song that again features milton s perfect voice and some fantastic arrangement. a real gem of a record, with the original 45 changing hands for over £100 a time in used condition. this is the first time *keep it up* has been re-issued in its original 45 rpm format with the original alston label artwork. it has been re-mastered, re-pressed and made available again with the permission of tk disco / alston records, miami florida, usa.